Nat. Brut's Issue 9 is out!

Check out the interviews I did with Grace Rosario Perkins and Kat Geng here!

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Repost: On Death and Disney

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Dave’s (or Dave Bowie’s) Goblin King of the Labryinth Pie, Yukari Sakura, 2016. Linking to my Nat. Brut essay about Yukari Sakura , an artist at Creativity Explored via CE's blog. An excerpt: During our interview for this piece, Sakura’s gift for storytelling is evident. It is as distinctive as it is remarkable. Her mind seems to zoom a mile a minute to fantastical realms I can barely fathom — one moment dropping knowledge bombs about endangered Siberian tigers, and the next spinning a fanciful love story between a winged elk and a fictional autistic woman. Fantastic creatures including unicorns, fairies, mermaids, and centaurs make regular appearances in her tales. Her excitement is infectious but sometimes makes her tales hard to follow. Throughout our dialogue, I notice that she often provides a magnificent “how” but struggles to give a satisfactory “why.” This is endearingly summed up for me when our conversation turns to The Da Vinci Code, a film from 2003 starring Tom ...
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Shifting Movements reviewed in SF Gate!

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Photo (and caption) from the article: "Cesar Cueva flashes a black light to reveal the images of 'Natasha McKenna,' 'Rosann Miller,' 'Monique Deckard,' 'Raynette Turner,' and 'Redel Jones' (2016) by Danielle Wright at the SOMArts 'Shifting Movements' exhibition" And an excerpt: Other pieces seem almost unrelated at all, until you begin to understand the intersectional work Kochiyama pioneered. A beautiful and heartbreaking section of the show, #SayHerName, is presented in complete darkness. Danielle Wright has created 100 portraits of black women and girls who have “come into contact with structural racism and state violence via law enforcement.” The portraits, small, but detailed, were done with invisible ink. To see them, you have to walk through the space with a black-light flashlight. The symbolism, that one has to go looking for these women, is immediate, and so is the feeling that this is something Kochiyama would s...
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