Nat. Brut's Issue 9 is out!

Check out the interviews I did with Grace Rosario Perkins and Kat Geng here!

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Shifting Movements reviewed in SF Gate!

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Photo (and caption) from the article: "Cesar Cueva flashes a black light to reveal the images of 'Natasha McKenna,' 'Rosann Miller,' 'Monique Deckard,' 'Raynette Turner,' and 'Redel Jones' (2016) by Danielle Wright at the SOMArts 'Shifting Movements' exhibition" And an excerpt: Other pieces seem almost unrelated at all, until you begin to understand the intersectional work Kochiyama pioneered. A beautiful and heartbreaking section of the show, #SayHerName, is presented in complete darkness. Danielle Wright has created 100 portraits of black women and girls who have “come into contact with structural racism and state violence via law enforcement.” The portraits, small, but detailed, were done with invisible ink. To see them, you have to walk through the space with a black-light flashlight. The symbolism, that one has to go looking for these women, is immediate, and so is the feeling that this is something Kochiyama would s...
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Repost: I, Too, Like Purple

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I Like Purple (D6506), Sara Malpass, 2014. The last of my trio of features on art studios in the Bay Area for adults with developmental differences. Here's an excerpt from my profile of NIAD or Nurturing Independence through Artistic Development Art Center (formerly The National Institute of Art and Disabilities) for Nat. Brut: "In the ceramic area, I make my way over to speak with a woman named Karen May, who informs me that she was a little girl before she was born. Puzzled, I say to her, “That sounds complicated,” and she continues her story unphased, without further explanation. Apparently, sometimes her brother comes to take her out for lunch dates. When I ask her where she is from, I don’t get a clear answer. This bob-and-weave continues as our stream of consciousness conversation winds around. We talk about how she cares about people being nice to her. She informs me that she wants other people not to bother her while she’s making work. I ask if our conversation ...
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